
The Substation/ Shireen Taweel/ Tracing Transcendence/
Free
N/A
Look beyond the cities and the headlines and you’ll see that Islam isn’t new in Australia. Tracing back to the mid-1800s, the presence of Islamic cameleers or “Ghans” in outback Australia led to more than just train tracks and the supply of goods across arid rural terrain – the sacred sites and prayer spaces they left behind tell stories that resonate today in contemporary Muslim Australia.
Guided by a strong sense of discipline and tradition, Shireen Tawell's installation of copper, light and sound charts the history of the country’s mosques. Inspired by remote Australian landscapes and Islamic decorative arts, Taweel’s approach is rooted in cross-cultural dialogue and consideration of sacred and secular spaces. The resulting work is a delicate and meditative intersection of past, present and future.






Feature image: Shireen Taweel, Tracing Transcendence, The Substation, 2018, Photo: Matthew Stanton
Installation images: Shireen Taweel, Tracing Transcendence, The Substation, 2018, Photos: Matthew Stanton


